And now for my final Petersfield Sewing Bee challenge. I put an abstract twist on this challenge and came up with my abstract embroidery art.
The focus for this challenge was embroidery, inspired by the embroidery therapy that was offered to many soldiers across the world after WW1. Surprisingly ahead of its time, embroidery therapy tapped into the therapeutic nature of lots of handicrafts and helped soldiers deal with their psychological trauma.
For this challenge we were provided with 1 metre of linen. We could use as much or as little as we liked and we could do any kind of embroidery that took our fancy.
And so another Sewing Bee challenge is complete! Continuing the WW1 theme, this challenge was again inspired by war time austerity but unlike the previous challenge, challenge No. 2 required us to make something new from something old. Or as I would call it, a refashion!
I love a refashion. I think it is so inspiring to transform something unwanted or unloved into something new and exciting. For this refashion, I headed to my local charity shops to find a likely looking garment for a makeover. I struck gold with this enormous, boxy maxi-dress which was … 100% linen eek!
So the deadline for the first Petersfield Sewing Bee has passed and my entry is on display in the window of my local fabric shop. So now I think would be a good time to show you what I made, a 1940s style sun top.
Back to crochet hats! After the success of my first 1940s crochet hat, I decided to try out another pattern. This one is more of a bonnet or Juliet style and had a large frill around the front.
Having learnt from my previous mistakes this hat went much smoother. However, when I came to the frill around the front I decided to make a few changes.
I am so pleased that I am able to share with you another historical commission, this time for a Lady’s Maid from 1901. Most of my commissions start with a photograph or reference picture sent to me by the client. We then usually have a conversation which goes, like this but with short sleeves and in black, or something like this but not so fancy. I then do some research of my own, looking for historical references that I can base my designs off (this is why my costumes Pinerest board suddenly has a lot of servants on it). I then finalise my designs and send it back to the customer for approval before I get to work.
Ah hemming. Am I completely alone in that I really enjoy hand hemming garments? Perhaps. But there is something so therapeutic about the repetitive nature of hand hemming. Machine hemming on the the other hand, is something I CANNOT STAND. Ugh. I hate it I hate it I hate it.
Why Machine Hemming Sucks